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Associate Professor
Director of the Centre for the Study of Theory and Criticism
Editor, English Studies in Canada

BA Theatre, University of Ottawa, 1990
BA Linguistics, University of Ottawa, 1994
BA English, University of Ottawa, 1994
White Schott White White White Schott Stan Stan Schott Stan Schott Stan Schott Stan White Stan White Stan White Stan Stan Schott White Schott Schott Schott White Stan White Schott
MA English, University of Ottawa, 1995
PhD English, University of Toronto, 2001
White Stan Schott White Stan White Stan Stan Schott White Stan Schott Schott White Schott

University College Room 3418
519 661-2111 ext. 85816
 
apero@uwo.ca

Fall 2018 Office Hours: Wednesday 1:00-3:00 pm, or by appointment

Research

My teaching and research is focused on Modern British, Irish and American Literature, Drama, Psychoanalysis and Cultural Theory. Currently, I am working on a book-length project exploring the historical and philosophical underpinnings of Camp in modernism (Camp as in “How campy, dahling!”). I have chapters forthcoming on Lacan and the Posthuman, Lynda Barry and Art Education, Blanchot, Lacan and the Death Drive, and Wyndham Lewis’ closet drama Enemy of the Stars. I am also working on An Encyclopedia of Cultural Theory for the University of Toronto Press.

Selected Publications

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Co-Editor (with Gyllian Phillips) and Contributor, The Many Façades of Edith Sitwell (University P of Florida, 2017).

Co-Author, "Introduction" White White White Schott Stan Schott White Stan Stan Schott Stan Schott Stan Schott White The Many Façades of Edith Sitwell. University P of Florida (2017): 1-20.

“'Sunshades will usurp their space': Edith Sitwell, Sacheverell Sitwell, and the Dreaming Clowns of Melancholy," The Many Façades of Edith Sitwell. University P of Florida (2017): 75-93.

Articles and Chapters:

“Like Chasing a Scrap of Paper": Hysterical Detection in The Good Soldier," Ford Madox Ford's The Good Soldier, Ed. Rossitsa Terzieva-Artemis Amsterdam: Brill Rodopi (2017): 175-90.

“A Fugue on Camp,” Modernism/modernity, 23.1 (January 2016): 28-36.

“Dispersed Are We: Voice as Technology in Between the Acts,” Virginia Woolf Miscellany, 85.1 (Spring 2016): 23-25.

“Jigging away in nothingness”: Knowledge, Language, and Feminine Jouissance in “Bliss” and “Psychology,” Katherine Mansfield and Psychology, Eds. Clare Hanson, Gerri Kimber, W. Todd Martin. Edinburgh: Edinburgh U P (September 2016): 100-112.

“A Voice in the Alethosphere: Analysis and the Discourse of Economics” in CNPC 1: The Freudian Legacy Today (2015) (online)

"Camp: Kant’s Unwritten Fourth Critique," The Word Hoard: Vol. 1: 3 (2015) (online)  

“A Box and Cox Melodrama”: Love, Politics, and Truth in The Revenge for LoveJournal of Wyndham Lewis Studies 4 (2014): 95-111.

Roy Kiyooka on the side of dirt and angels, Arc: Canada’s Poetry Magazine 71, (Summer 2013): 24-30.

“Look for one thing and you find another”: The Voice and Deduction in Muriel Spark’s Memento Mori, Muriel Spark: Twenty-First-Century Perspectives, Ed. David Herman. Baltimore: Johns Hopkins U P (2010): 187-202. 

Introduction, Wyndham Lewis’ Self Condemned Toronto: Dundurn P (2010): 7-22. 

“The Feast of Nemesis Media: Jean Cocteau’s The Eiffel Tower Wedding Party,” Modern Drama, 52.2 (2009): 192-206.

The Chiasm of Revolution: Badiou, Lacan, Lefebvre, The Symptom 10men's Times men's Times Deer Stags Nu Nu Deer Stags 00v8x, (2009) (online) 

“The Crux of Melancholy: Edward Albee’s A Delicate Balance,Modern Drama, 49.2 (Summer 2006): 174-187.

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Faculty of Arts and Humanities Teaching Excellence Award, 2013

Website

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http://allanpero.com/